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This work proved to be highly successful and popular so Munnings altered the composition slightly for ‘Why Weren’t You Out Yesterday?’ and he added personal and humorous attributes to the painting as the models were his wife, a female family-friend and four of his own home-bred horses. \u003c\/p\u003e","brand":"Sir ALFRED MUNNINGS, P.R.A. 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Their courtship developed after Violet agreed to sit for a portrait and the couple married in 1920 in a quiet ceremony at Chelsea Registry Office. Violet greatly encouraged Munnings’s artistic career and provided him with a stable home life, which left him free to paint. She took responsibility for the day-to-day business of managing commissions, which were often obtained from her society connections. She organised his schedule and few requests were turned down. Munnings was in the unusual position of receiving an allowance from his wife to whom he had granted power of attorney, such was his trust and freedom. \u003c\/p\u003e\n\u003cp\u003eIn another version of this painting, housed in Museum of Art in Pittsburgh, Violet wears a top hat rather than a bowler hat. Munnings was particularly outspoken in his admiration of ladies riding side-saddle: “I wish I had painted more women riding side-saddle before the fashion died out. A good figure in a well-cut habit is the essence of grace and symmetry.” \u003cbr\u003e\nThis second version was painted whilst Munnings and Violet were guests of Major Tommy Bouch, Master of the Belvoir Hunt. Munnings said: “Staying with Major Bouch, Master of Belvoir, I had used two of his horses, a black and a grey, in a large picture called Changing Horses which was afterwards purchased for the Pittsburgh Art Gallery. My wife posed as the silk-hatted lady in the centre of the picture holding the horses… with Burgess, the Belvoir second horseman, tightening the girths.”\u003c\/p\u003e","brand":"Sir ALFRED MUNNINGS, P.R.A. 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Print on Canvas \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImage size: 16 x 20 inches (30.5 x 51 cm)\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eThe unframed canvas has a 2 inch (5 cm) white margin all round\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e‘The Path to the Orchard’ was painted during 1908 in Mendham, Suffolk, the village where Munnings spent his early years. \u003c\/p\u003e\n\u003cp\u003eThe stunning golden-white pony, named Augereau, belonged to Munnings and appears in many of his paintings. \u003c\/p\u003e\n\u003cp\u003e‘The Path to the Orchard’ was shown in the 1909 Royal Academy Summer Exhibition, one of two hundred and thirty pictures exhibited by Munnings in the Summer Exhibitions throughout his career.\u003c\/p\u003e","brand":"Sir ALFRED MUNNINGS, P.R.A. 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Fine Hand-Numbered Print on Paper \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eImage size: 18 x 24 inches (45.5 x 56 cm) Paper size: 22 x 28 inches (56 x 71 cm)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEach print on paper is hand-numbered and supplied with its own numbered Certificate signed by the Master Printer. \u003c\/strong\u003e\u003cstrong\u003eThe Edition is unlimited.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2. Print on Canvas \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImage size: 20 x 30 inches (51 x 76 cm)\u003c\/strong\u003e\u003cstrong\u003eThe unframed canvas has a 2 inch (5 cm) white margin all round\u003c\/strong\u003e\u003c\/p\u003e","brand":"Sir ALFRED MUNNINGS, P.R.A. 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Fine Limited Edition Print on Paper \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eImage size: 16 x 20 inches (41 x 51 cm) Paper size: 20 x 24 inches (51 x 61 cm)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEach print on paper is hand-numbered and supplied with its own numbered Certificate signed by the Master Printer. \u003c\/strong\u003e\u003cstrong\u003eThe Edition is limited to 1880.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2. Print on Canvas \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImage size: 16 x 20 inches (41 x 51 cm)\u003c\/strong\u003e\u003cstrong\u003eThe unframed canvas has a 2 inch (5 cm) white margin all round\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis subject also has a sub-title of \"Ned on the Brown Mare\". \u003cbr\u003e\u003cbr\u003e\nMunnings had acquired a favoured brown mare at around the same time as he met Shrimp. Munnings moved to Cornwall for an indefinite period at the beginning of the second decade of the 20th Century and took a large converted sail loft for a studio, with a stable below. As his groom\/new model he took the 17 year old Ned Osborne. \u003cbr\u003e\u003cbr\u003e\nThe brown mare was called \"The Duchess\". Munnings found that Osborne made a fine figure, posed in a scarlet coat and a black cap, for a spate of hunting studies with Cornish backgrounds of moors and woods or sometimes remembered Norfolk ones of flat fields and grey skies. Munnings felt \"The Huntsman\" was his best painting of that period. It was a picture in tempera of Ned taking his horse over a great jump.\u003c\/p\u003e","brand":"Sir ALFRED MUNNINGS, P.R.A. 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Munnings' love of the rural Norwich landscape and lifestyle dominates his work from the period 1909-1911, and he painted each summer in the Ringland area. Munnings was introduced to the male subject Shrimp, a gypsy boy, and like Munnings, he preferred horses to people and had run away from home to work with the beasts that he loved. In 1908, Shrimp became Munnings' full-time model and horse-minder.\u003c\/p\u003e","brand":"Sir ALFRED MUNNINGS, P.R.A. (British, 1878 - 1959)","offers":[{"title":"Canvas \/ Canvas","offer_id":57509954814283,"sku":"AMO35GRingland-21624","price":100.0,"currency_code":"GBP","in_stock":true},{"title":"Canvas \/ Framed Canvas","offer_id":57509954847051,"sku":"AMO35GRinglandF-21624","price":175.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1024\/5275\/6811\/files\/ldlue2bo40wfesunvojwfpj415052010171614.jpg?v=1780585674"},{"product_id":"21625","title":"Lord Strathcona's Horse on the March","description":"\u003cp\u003e\u003cstrong\u003e1. 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He sometimes worked on canvases in the field close to German front lines. \u003c\/p\u003e\n\u003cp\u003eLord Strathcona’s Horse (Royal Canadians) was one of the last regiments in a British Imperium to be created and raised by a private individual Donald Alexander Smith, 1st Baron Strathcona and Mount Royal. The motto of the regiment is \"Perseverance\".\u003c\/p\u003e\n\u003cp\u003eThe regiment won three VCs in the First World War.\u003c\/p\u003e","brand":"Sir ALFRED MUNNINGS, P.R.A. 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F\u003c\/strong\u003e\u003cstrong\u003eine Hand-Numbered Print on Paper\u003c\/strong\u003e\u003c\/p\u003e\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eImage size: 20 x 30 inches (51 x 76 cm)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEach print on paper is hand-numbered and supplied with its own numbered Certificate signed by the Master Printer. \u003c\/strong\u003e\u003cstrong\u003eThe Edition is unlimited.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2. Print on Canvas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eImage size: 20 x 30 inches (51 x 76 cm)\u003c\/p\u003e\n\u003cp\u003eThe unframed canvas has a 2 inch (5 cm) white margin all round\u003c\/p\u003e\n\u003c\/div\u003e\u003cp\u003eDuring the Second World War, Munnings’ home in Essex was requisitioned by the Army, who wished to make use of Castle House and its 40 acres of grounds. His wife, Violet, kept a small cottage in Exmoor as a hunting box; and it was there that he spent much of the war. The rural isolation appeared to do him good: he was more at peace with himself during his time on Exmoor than at any time since his visits to Cornwall more than 30 years previously. \u003cbr\u003e\u003cbr\u003e\nMost of the horses that Munnings kept at Castle House had been slaughtered due to the war effort, and he was forced to find fresh sources of inspiration. This duly came in the form of the Exmoor ponies, who were threatened during the war years by the use of Exmoor as a training ground: only 50 were to survive the war.\u003c\/p\u003e","brand":"Sir ALFRED MUNNINGS, P.R.A. 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Fine Hand-Numbered Print on Paper \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEach print on paper is hand-numbered and supplied with its own numbered Certificate signed by the Master Printer. \u003c\/strong\u003e\u003cstrong\u003eThe Edition is unlimited.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eImage size: 16 x 20 inches (41 x 51 cm) Paper size: 20 x 24 inches (51 x 61 cm)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2. Print on Canvas \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImage size: 16 x 20 inches (41 x 51 cm)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe unframed canvas has a 2 inch (5 cm) white margin all round\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA great many of Munnings’ works were horse racing scenes and this was painted specifically for the Royal Academy exhibition of 1954, where Munnings called it “Arrival at Epsom: a scene from the past”. It is clear from this title and the nature of the work that Munnings intended it to be the culmination of all his gypsy pictures.\u003c\/p\u003e","brand":"Sir ALFRED MUNNINGS, P.R.A. 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Fine Hand-Numbered Print on Paper \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eImage size: 16 x 20 inches (41 x 51 cm) Paper size: 20 x 24 inches (51 x 61 cm)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEach print on paper is hand-numbered and supplied with its own numbered Certificate signed by the Master Printer. \u003c\/strong\u003e\u003cstrong\u003eThe Edition is unlimited.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2. Print on Canvas \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImage size: 16 x 20 inches (41 x 51 cm)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe unframed canvas has a 2 inch (5 cm) white margin all round\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSir Alfred Munnings painted rural scenes, frequently of subjects such as Gypsies and horses. As the title suggests, this scene depicts a woman telling tales of gypsy life to two young girls and a dog who are all sitting still, listening carefully. The group are sat within the beautiful rural English countryside. \u003cbr\u003e\u003cbr\u003e\nFrom the early twentieth century Munnings had been fascinated by the gypsy hop-pickers in Hampshire. He wrote: ‘More glamour and excitement were packed into those six weeks than a painter could well contend with. I still have a vision of brown faces, black hair, earrings, black hats and black skirts; of lithe figures of women and children, of men with lurcher dogs and horses of all kinds... Never in my life have I been so filled with a desire to work as I was then’.\u003c\/p\u003e","brand":"Sir ALFRED MUNNINGS, P.R.A. (British, 1878 - 1959)","offers":[{"title":"Canvas \/ Canvas","offer_id":57509959336267,"sku":"AMO039GGypsyTalesC-21628","price":176.0,"currency_code":"GBP","in_stock":true},{"title":"Canvas \/ Framed Canvas","offer_id":57509959369035,"sku":"AMO039GGypsyTalesCF-21628","price":285.0,"currency_code":"GBP","in_stock":true},{"title":"Paper \/ Paper","offer_id":57509959401803,"sku":"AMO039GGypsyTales-21628","price":95.0,"currency_code":"GBP","in_stock":true},{"title":"Paper \/ Framed Print on Paper","offer_id":57509959434571,"sku":"AMO039GGypsyTalesF-21628","price":170.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1024\/5275\/6811\/files\/zltiwhesz1r2avvryq5izu4518052010162511.jpg?v=1780585679"},{"product_id":"21629","title":"A Gala Day","description":"\u003cp\u003e\u003cstrong\u003e1. Fine Hand-Numbered Print on Paper \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eImage size: 16 x 20 inches (41 x 51 cm) Paper size: 20 x 24 inches (51 x 61 cm)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEach print on paper is hand-numbered and supplied with its own numbered Certificate signed by the Master Printer. \u003c\/strong\u003e\u003cstrong\u003eThe Edition is unlimited.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2. Print on Canvas \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImage size: 16 x 20 inches (41 x 51 cm)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe unframed canvas has a 2 inch (5 cm) white margin all round\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMunnings bought Castle House in Dedham and used many of the villagers from Dedham in his paintings. For example (and quoting from Munnings Autobiography, Volume I page 111), “There was Dan Betts, one of our carters, who wore small silver earrings, and shaved off his moustache for me to put him in the picture, and become so transfigured that his wife and children did not know him. A kind man and father. I used the family. Tilly, his little daughter, stands peeling an orange, with Jimmy, who was eating one, in the picture I called ‘A Gala Day’, which now hangs in the Art Gallery in Preston.” \u003cbr\u003e\u003cbr\u003e\nMunnings submitted ‘A Gala Day’ to the Royal Academy in 1903 and it was one of the five pictures of his which was hung in that year.\u003c\/p\u003e","brand":"Sir ALFRED MUNNINGS, P.R.A. 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Fine Hand-Numbered Print on Paper \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eImage size: 16 x 20 inches (41 x 51 cm) Paper size: 20 x 24 inches (51 x 61 cm)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEach print on paper is hand-numbered and supplied with its own numbered Certificate signed by the Master Printer. \u003c\/strong\u003e\u003cstrong\u003eThe Edition is unlimited.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2. Print on Canvas \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImage size: 16 x 20 inches (41 x 51 cm)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe unframed canvas has a 2 inch (5 cm) white margin all round\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMunnings bought Castle House in Dedham and used many of the villagers from Dedham in his paintings. 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